get a large piece of the band inside your palms. Hold one end of the remaining band with your fingers while also holding the other end. You will notice that when you slowly pull one side of the shortened band, the ring will appear like it’s climbing the band. This is brought about by the stretching nature of the band which drags it upwards. You can distract your audience by constantly staring at the ring as it goes up so that they will think that your mind is controlling the ring.
Although it may seem like Hogwarts magic, the performance is quite easy. There’s a special v-shaped tunnel going under the wall. That is why the spectators who study the wall and how solid it is, don't find anything – the wall is ok, the floor is not. The magician needs just a fraction of a second to go through the small tunnel going under the wall and stand on the other side of it.
In the past five years, magic—normally deemed fit only for children and tourists in Las Vegas—has become shockingly respectable in the scientific world. Even I—not exactly renowned as a public speaker—have been invited to address conferences on neuroscience and perception. I asked a scientist friend (whose identity I must protect), “Why the sudden interest?” He replied that those who fund science research find magicians “sexier than lab rats.”
This is probably the simplest trick in the list. All you have to do is fill the bag ¾ way and drive the pencil into the bag. You will notice that the water won’t spill and the explanation is scientific. Plastic bags like Ziploc bags are polymers which have long bonds and chains. When the pencil enters the polymer, its molecules form a shield around the pencil trapping the water molecules. But this is your secret. No one in the audience has to know about it.
If I told you that it really is possible to do this trick, you would brush me aside and tell me that I am getting ahead of my limits. But this is a simple trick, and you will be kicking yourself once you find out how easy it is to get it done. You will need to get yourself to a good spot in the house or premises. A corner in the house is the best place to get this trick done. The most important part of this magic trick is to make sure that the audience is neither in front of you, nor behind you. The most preferable position for your audience to be in is just at the edge of the heel of your shoe. They must also be a couple of meters away from you in a diagonal position. Another very important aspect is balance. You will need a lot of balance in this trick. In fact, you should probably start practicing on your balance first before attempting anything else.
The Double Lift. The magician lifts the top two cards as one, making it appear as if they only picked up the top card. When they show the card to the audience, spectators believe they are seeing the top card when it is actually the second card. Thus, when the top card is relocated within the deck, the magician retains the card the audience saw on top of the deck.
A magician needs specially cut screens to move a hand through mirror or glass. The back screen covers 2 mirror panels. When the performance begins, the whole construction shifts the real mirror to the back side, moving 2 fake mirror panels forward. Now there is a space to move a hand. At the end of the performance, the assistants shift the real mirror to the front side again.
Drag the coin of the edge of the table with your fingers and your thumb in a slanting position. Make sure your other hand is in a position to grab the coin once you drop it. The coin should never drop to the floor. Do not move the recipient hand at all as this may cause some audience members to be suspicious. Once the coin is safely in your other hand, the performance part kicks in. Pretend like you are still holding the coin with the first hand, in the same position like when you picked up the coin from the edge but this time the backside of your hand should face upward, while your fingers should be locked with your thumb as if you are actually holding the coin. The key here is to always ensure the audience will not be suspicious that you actually don’t have a coin in your hand.So make sure you do a good job of concealing that part of your fingers that is supposed to be holding the coin. Let the front side of your fingers face the audience while still maintaining that horizontal position for your hand like you want to bang something on the surface.Next, bang the ‘coin wielding’ palm on the table to give the impression that the ‘coin’ is actually passing through the table. Hit the underside of the table with the coin (which has been on your other hand all along) where the coin is supposed to go through to give an impression like the coin is falling on your other hand.
Smash a cup through a table “accidentally.” Explain to your audience that you're going to pass a magical ball through a solid tabletop using a small cup and a “cloak of concealment” (an ordinary piece of paper). Place the cup upside down over the ball, then mold the paper around the cup so that it covers it completely. Pick up the paper-covered cup to give your audience one last look at the ball. As you do, drop the cup into your lap inconspicuously and cradle it between your thighs. Put the cup-shaped paper shell back over the ball and give it a smack. Remove the cloak to show that the ball is still there, but the cup has rematerialized beneath the table.