Rock up smoothly onto the ball of the foot furthest away from the audience. Transition your weight onto the ball of your support foot fluidly while allowing the foot the audience can see to hover 1–2 inches (2.5–5.1 cm) above the ground. Try to support yourself as far forward towards your toes as you can. If you do this just right, it will appear as though you've succeeded in levitating for a brief moment.
The One-Hand Cut. Known as a “Charlier” cut, this is when a magician uses a single hand to separate the deck into two portions, flipping the upper half and lower half to switch their positions. It adds a cool flourish to easy card tricks, and it’s a necessary move to progress to a more advanced card trick. Plus, it leaves an empty hand free to perform misdirection or additional sleights.
2. Make the secret a lot more trouble than the trick seems worth. You will be fooled by a trick if it involves more time, money, and practice than you (or any other sane onlooker) would be willing to invest. My partner, Penn, and I once produced 500 live cockroaches from a top hat on the desk of talk show host David Letterman. To prepare this took weeks. We hired an entomologist who provided slow-moving, camera-friendly cockroaches (the kind from under your stove don’t hang around for close-ups) and taught us to pick the bugs up without screaming like preadolescent girls. Then we built a secret compartment and worked out a devious routine for sneaking the compartment into the hat. More trouble than the trick was worth? To you, probably. But not to magicians.
The art of card throwing generally consists of throwing standard playing cards with excessively high speed and accuracy, powerful enough to slice fruits like carrots and even melons. Like flourishing, throwing cards are meant to be visibly impressive and does not include magic elements. Magician Ricky Jay popularized throwing cards within the sleight of hand industry with the release of his 1977 book entitled Cards as Weapons, which was met with large sales and critical acclaim. Some magic tricks, both close-up and on stage, are heavily connected to throwing cards.