5. To fool the mind, combine at least two tricks. Every night in Las Vegas, I make a ball come to life like a trained dog. My method—the thing that fools your eye—is to puppeteer the ball with a thread too fine to be seen from the audience. But during the routine, the ball jumps through a wooden hoop several times, and that seems to rule out the possibility of a thread. The hoop is what magicians call misdirection, a second trick that “proves” the first. The hoop is genuine, but the deceptive choreography I use took 18 months to develop.
The magician asks someone from the audience to put their signature on a random card. Then he tears it into 4 pieces and magically restores the signed card in front of the amazed audience. The secret is quite simple: the illusionist has a folded card in his pocket, and he substitutes the signed card with it. The hidden card is torn, and the signed one is perfectly safe.
The magician asks someone from the audience to put their signature on a random card. Then he tears it into 4 pieces and magically restores the signed card in front of the amazed audience. The secret is quite simple: the illusionist has a folded card in his pocket, and he substitutes the signed card with it. The hidden card is torn, and the signed one is perfectly safe.
Sleight of hand is often used in close-up magic, where the sleights are performed with the audience close to the magician, usually in physical contact or within 3 to 4 m (10 to 13 ft).[3] This close contact eliminates theories of fake audience members and the use of gimmicks.[3] It makes use of everyday items as props, such as cards, coins, rubber bands, paper, phones and even saltshakers.[3] A well-performed sleight looks like an ordinary, natural and completely innocent gesture, change in hand position or body posture.[4] In addition to manual dexterity, sleight of hand in close-up magic depends on the use of psychology, timing, misdirection, and natural choreography in accomplishing a magical effect.[4]

get a large piece of the band inside your palms. Hold one end of the remaining band with your fingers while also holding the other end. You will notice that when you slowly pull one side of the shortened band, the ring will appear like it’s climbing the band. This is brought about by the stretching nature of the band which drags it upwards. You can distract your audience by constantly staring at the ring as it goes up so that they will think that your mind is controlling the ring.
5. To fool the mind, combine at least two tricks. Every night in Las Vegas, I make a ball come to life like a trained dog. My method—the thing that fools your eye—is to puppeteer the ball with a thread too fine to be seen from the audience. But during the routine, the ball jumps through a wooden hoop several times, and that seems to rule out the possibility of a thread. The hoop is what magicians call misdirection, a second trick that “proves” the first. The hoop is genuine, but the deceptive choreography I use took 18 months to develop.

When Alesha signed the note, Jamie folded it and showed the audience. While he was folding the note, he had a palmed piece of paper in his hands that he instantly switched to. Now, with the signed note still in his hand, he took a bag from Alesha and with the note in his hand reached into the bag, stuffed the lemon, and took it out, showing the audience only one side of it. When Alesha took out the note, he very quickly closed it and put it away because there was actually a hole in the bottom of the lemon where he stuffed the note inside.
Unlike card tricks done on the streets or on stage and card cheating, cardistry is solely about impressing without illusions, deceit, misdirection and other elements commonly used in card tricks and card cheating.[10] Cardistry is the art of card flourishing, and is intended to be visually impressive and to give the appearance of being difficult to perform.[10] Card flourishing is often associated with card tricks, but many sleight of hand artists perform flourishing without considering themselves magicians or having any real interest in card tricks.[10]
How to make a huge truck disappear when it's surrounded by the audience on all sides? Easy! All you need to do is drape a special construction over the truck, create a fake audience with your friends, and ask somebody to drive the truck out of the construction. When you take the drapes off, the truck is not there anymore. Now you understand why this trick may be seen only on TV.

get a large piece of the band inside your palms. Hold one end of the remaining band with your fingers while also holding the other end. You will notice that when you slowly pull one side of the shortened band, the ring will appear like it’s climbing the band. This is brought about by the stretching nature of the band which drags it upwards. You can distract your audience by constantly staring at the ring as it goes up so that they will think that your mind is controlling the ring.
How does it work? There are several ways of doing the trick and one of the most popular is all about the magic equipment. The magician wears a special finger stall with a small, but very sharp blade. After showing the audience that the bottle is whole, he secretly cuts a line in it that's big enough to push a phone through. No magic here, really. Just a sleight of hand.

The Double Lift. The magician lifts the top two cards as one, making it appear as if they only picked up the top card. When they show the card to the audience, spectators believe they are seeing the top card when it is actually the second card. Thus, when the top card is relocated within the deck, the magician retains the card the audience saw on top of the deck.
Smash a cup through a table “accidentally.” Explain to your audience that you're going to pass a magical ball through a solid tabletop using a small cup and a “cloak of concealment” (an ordinary piece of paper). Place the cup upside down over the ball, then mold the paper around the cup so that it covers it completely. Pick up the paper-covered cup to give your audience one last look at the ball. As you do, drop the cup into your lap inconspicuously and cradle it between your thighs. Put the cup-shaped paper shell back over the ball and give it a smack. Remove the cloak to show that the ball is still there, but the cup has rematerialized beneath the table.[8]
×