This extremely simple trick attempts defy the laws of gravity by enabling a ring, to go in an upward direction without being pushed. It is a very unique magic trick because you only need basic objects to perform it. You will need a rubber band string and a ring. Pass the rubber band through the ring. Hold both sides of the rubber band and stretch. The ring will start going in an upward motion instead of going down as is expected. Your audience will be dazzled.
The word sleight, meaning "the use of dexterity or cunning, especially so as to deceive", comes from the Old Norse.[1] The phrase sleight of hand means "quick fingers" or "trickster fingers".[1] Common synonyms of Latin and French include prestidigitation and legerdemain respectively.[1] Seneca the Younger, philosopher of the Silver Age of Latin literature, famously compared rhetorical techniques and illusionist techniques.[2]
I’m all for helping science. But after I share what I know, my neuroscientist friends thank me by showing me eye-tracking and MRI equipment and promising that someday such machinery will help make me a better magician. I have my doubts. Neuroscientists are novices at deception. Magicians have done controlled testing in human perception for thousands of years.
Magicians use sleight of hand in a wide variety of tricks, but one of the most popular genres of sleight of hand is in card magic. The following are basic sleight-of-hand techniques that card magicians perform with playing cards, both freestanding and at the card table. Such card manipulation takes years of practice to perfect, but these card flourishes will open up a world of possibilities.
How does it work? There are several ways of doing the trick and one of the most popular is all about the magic equipment. The magician wears a special finger stall with a small, but very sharp blade. After showing the audience that the bottle is whole, he secretly cuts a line in it that's big enough to push a phone through. No magic here, really. Just a sleight of hand.
The One-Hand Cut. Known as a “Charlier” cut, this is when a magician uses a single hand to separate the deck into two portions, flipping the upper half and lower half to switch their positions. It adds a cool flourish to easy card tricks, and it’s a necessary move to progress to a more advanced card trick. Plus, it leaves an empty hand free to perform misdirection or additional sleights.
The art of card throwing generally consists of throwing standard playing cards with excessively high speed and accuracy, powerful enough to slice fruits like carrots and even melons.[11][12] Like flourishing, throwing cards are meant to be visibly impressive and does not include magic elements.[12] Magician Ricky Jay popularized throwing cards within the sleight of hand industry with the release of his 1977 book entitled Cards as Weapons, which was met with large sales and critical acclaim.[13] Some magic tricks, both close-up and on stage, are heavily connected to throwing cards.[14]
Here is how to get it done. Get to your designated corner in the house, and make sure the audience is in the right location. It’s pretty easy. Lift your right leg and make sure it does not go up bent. Ensure it is always straight as it goes up. Also, let your hands not hold onto anything when performing the trick. You will find yourself levitating. How? You ask. Well, remember your left leg? Your left leg will perform a critical function to aid the trick. Lift your left leg with your toes, almost like a Ballerina dancer but not up to your tip toe. (But if you can, the better.) Make sure your right leg always conceals your left leg which is not levitating, and make sure it is always straight. It will really look like both of your legs are levitating. You should also ensure that your feet are together always.Also, as your left foot moves up slowly push your right foot downwards so as to further conceal your left foot.Balance is key here, so make sure you practice a lot before attempting this trick.
Now I wiggle the card to my shoe (No. 3: If you’re laughing …). When I lift whichever foot has your card, or invite you to take my wallet from my back pocket, I turn away (No. 4: Outside the frame) and swap the deck for a normal one from which I’ve removed all three possible selections (No. 5: Combine two tricks). Then I set the deck down to tempt you to examine it later and notice your card is missing (No. 6: The lie you tell yourself).
The Double Lift. The magician lifts the top two cards as one, making it appear as if they only picked up the top card. When they show the card to the audience, spectators believe they are seeing the top card when it is actually the second card. Thus, when the top card is relocated within the deck, the magician retains the card the audience saw on top of the deck.

A magician needs specially cut screens to move a hand through mirror or glass. The back screen covers 2 mirror panels. When the performance begins, the whole construction shifts the real mirror to the back side, moving 2 fake mirror panels forward. Now there is a space to move a hand. At the end of the performance, the assistants shift the real mirror to the front side again.
“The spotlight of attention.” When people don’t focus specifically on something, they don’t notice it. Even as their eyes receive visual input, their brain focuses only on what it considers to be important, the “spotlight of attention,” filtering out the rest. Also known as inattentional blindness, this phenomena allows the brain to function without abundant information overwhelming it. Magicians take advantage of this, directing focus to something unimportant so people don’t notice their sleight of hand moves.
Remember that ’gravity-defying’ lean which Michael Jackson and his dancers performed in the video for the song ’Smooth Criminal’? It looks incredible, as Michael keeps his entire body straight whilst bending his ankles at an acute 45-degree angle. The secret here is in the specially-designed shoes he used, which had a heel that locked into pegs on the floor. With his feet effectively hooked to the ground, Michael was able to perform a seemingly impossible physical manoeuvre.
The human brain recognizes and is drawn to symmetry and patterns. Using patterns, structures, and routines—what scientists call mental models—makes people efficient. Routines are so ingrained that people can do them without thinking: getting dressed in the morning, driving to work, doing laundry. The ability to go on autopilot means their brain can use that time to think about something else entirely—a distinct evolutionary advantage.

Sleight of hand during stage magic performances is not common, as most magic events and stunts are performed with objects visible to a much larger audience, but is nevertheless done occasionally by many stage performers.[5] The most common magic tricks performed with sleight of hand on stage are rope manipulations and card tricks, with the first typically being done with a member of the audience to rule out the possibility of stooges and the latter primarily being done on a table while a camera is live-recording, allowing the rest of audience to see the performance on a big screen.[6][7] Worldwide acclaimed stage magician David Copperfield often includes illusions featuring sleight of hand in his stage shows.[7]

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